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during his offi  ce revealed a Grand Master who was far
                      The ‘Wicked Lord’                        from ‘Wicked’. 7

          Byron’s great uncle, the eccentric fi fth Lord Byron, had    Whymper  was  indeed  sympathetic  to  Byron’s  Grand
        been Grand Master of the ‘Premier’ or ‘Modern’ Grand  Mastership,  and  dismissed  Gould’s  view  of  the
 k      Lodge from 1747-51, and it may have been through him  ‘Wicked  Lord’,  Gould  having  written  that ‘the aff airs
        that  the  poet  developed  a  familiarity  with  the  themes  of the Society were much neglected, and to this period
 e      of  Freemasonry.  As  we  shall  see,  Byron  mentioned  of misrule, aggravated by the summary erasure of
 h      Freemasonry  in  his  poetry,  and  commonly  celebrated  numerous lodges, we must look, I think, for the cause of
 ,      classical architecture in his work, discussing the many  that organized rebellion against authority, resulting in
 e      Temples of antiquity. Byron, who had been on the Grand  the great Schism.' Gould clearly placing the blame for
        Tour,  continuously  praised  the  lost  knowledge  of  the  the formation of the ‘Antients’ with Byron. 8
 ,      ancient  world,  and  in  his  epic  poem  Childe Harold’s
                                                                 Whymper put forward that Byron’s image was certainly
 ,      Pilgrimage,  he  attacked  Lord  Elgin  for  his  plunder  of   tainted after his conviction of manslaughter, leading to
 t      the Parthenon, and expressed the hidden mysteries held
        within the classical Temples:                          his  ‘unpopularity’  being  ‘improperly seized upon to
                                                                                                       9
 e               ‘Here let me sit upon this massy stone,       account for the dissensions in the Craft…’
 w              The marble column’s yet unshaken base!          Lord Byron, Don Juan, the Carbonari
 l           Here, son of Saturn! Was thy favourite throne:
 y            Mightiest of many such! Hence let me trace                        and Revolution
 c             The latent grandeur of thy dwelling-place.      Byron was certainly aware of Freemasonry, though he
                It may not be: nor even can Fancy’s eye
              Restore what Time hath labour’d to deface.       mentioned it only twice in his epic poem Don Juan. He
 t           Yet these proud pillars claim no passing sigh;    fi rst commented on the aristocratic networking aspects
 a       Unmoved the Moslem sits, the light Greek carols by.' 5  of the Craft in Canto XIII, Verse XXIV:
                                                                     ‘And thus acquaintance grew at noble routs
          Byron’s great uncle, the ‘Wicked Lord’, hosted regular         And diplomatic dinners or at other –
        ritualistic weekend parties on his estate Newstead Abbey,    For Juan stood well both with Ins and Outs,
        in a somewhat similar fashion to Sir Francis Dashwood’s          As in Freemasonry a higher brother.
        Hell Fire and Dilettanti meetings at West Wycombe. The          Upon his talent Henry had no doubts;
        ‘Wicked Lord’ was a rather clubbable gentleman, being   His manner showed him sprung from a higher mother,
        involved in an aristocratic dining club which met in the      And all men like to show their hospitality,
        Star and Garter Tavern in London. However, true to his   To him whose breeding matched with this quality.’  10
        wild  nature,  he  killed  his  neighbor  William  Chaworth
        during an argument, who was also a fellow member of      Byron  seemed  to  be  referring  to  the  hierarchical
        his club, resulting in a murder trial in the House of Lords   system of Freemasonry, which at Grand Lodge level, was
        in 1765. He was eventually found guilty of manslaughter   dominated by the gentry and led by certain charismatic
        and, after the payment of a fi ne, he was a free man, though   aristocrats, Don Juan being portrayed as moving in well-
        as a result of the scandal became a recluse, living in debt   connected and well-bred circles.
 l      with  his  mistress  in  the  decaying  Gothic  splendor  of   He then touched upon the Craft once more in Canto XIV,
                        6.
 c      Newstead Abbey. He certainly had a profound infl uence   Verse XXII of the same poem, commenting on the more
 e      on his heir, the inheritance of the Gothic Abbey supplying   mysterious and secretive aspects of Freemasonry:
 y      a haunting and melancholy inspiration to the poet.             ‘And therefore what I throw off  is ideal -
 n                                                                 Lowered, leavened like a history of Freemasons
 y        According  to  H.J.  Whymper  writing  in  AQC,  the        Which bears the same relation to the real,
 e      ‘Wicked  Lord’  had  been  a  popular  and  a  somewhat    As Captain Parry’s voyage may do to “Jason’s.”
 ,      charismatic Grand Master, and his absence during six out     The Grand Arcanum’s not for men to see all;
 y      of ten Grand Lodge meetings was attributed to being on          My music has some mystic diapasons;
 p      business  out  of  the  country.  During  his  term  as  Grand   And there is much which could not be appreciated
 a      Master  he  showed  none  of  the  temper  or  eccentricity      In any manner by the uninitiated’  11
 g      of his later years, and the minutes of the Grand Lodge
         4  See John William Polidori, The Vampyre, (London: Sherwood, Neely and Jones, 1819). Acyronic’ hero. See also Peter L. Thorslev, The Byronic
         Her: Types and Prototypes, (Minneapolis: University of Minnesota Press,1962).
         5  George Gordon Byron, Childe Harold’s Pilgrimage, (London: Charles Griffi  n & Co., 1866), p.54.
         6  The Trial of William Lord Byron For The Murder of William Chaworth Esq; Before The House of Peers in Westminster Hall, in Full Parliament.
         London, 1765. Newstead Abbey Archives, reference NA1051.
         7  See H.J. Whymper ‘Lord Byron G.M.’ AQC, Vol.VI, (1893), pp.17-20.
         8  Ibid., p.17
         9  Ibid., p.20.
         10  Leslie A. Marchand, (ed.), Don Juan by Lord Byron, Canto XIII, Stanza XXIV, (Boston: Houghton Miffl  in Company, 1958), p.361
         11  Ibid, Canto XIV, Stanza XXII, p.385.
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